Archivo de la categoría: CUERPOS

¿Parece que bailan?

Artista  [mostra]Guido Reni (1575–1642) Enllaç a la plantilla d'infotaula Creator wikidata:Q109061 Títol  Deutsch: Atalante und Hippomenes Data cap a 1615 o 1625 Material/Tècnica 	oli sobre tela Dimensions 	206 × 297 cm

Artista
[mostra]Guido Reni (1575–1642) Enllaç a la plantilla d’infotaula Creator wikidata:Q109061
Títol
Deutsch: Atalante und Hippomenes
Data cap a 1615 o 1625
Material/Tècnica oli sobre tela
Dimensions 206 × 297 cm

Creo que no bailan, pero lo parece.

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Release the Kraken! Monster’s Ink

ART MACABRE DRAWING SALONS: ARCHIVE - NEW SITE at WWW.ARTMACABRE.CO.UK

We can now reveal an additional Halloween event that we’ll be part of this week. Tomorrow night we’ll be taking a taste of Art Macabre along to Eat Your Heart Out ‘Feed the Beast’ – Miss Cakehead’s infamous extreme cake shop for 2013!

We’re thrilled that we’ll be bring some monstrous inky activities to the Preview Party for this year’s ever-astounding Eat Your Heart Out event. This year Miss Cakehead and co are supported by those tasty purveyors of the spicey stuff Kraken Rum and so we’ll be inviting guests to add to our ancient map with drawing of their favourite kraken-themed cakes they’ve spotted, drawn in ink (of course), as they sip rum cocktails and feast on an edible kraken autopsy.

I know that any fan of Art Macabre will also appreciate the creative macabre glory of Miss Cakehead‘s cake curation spectaculars. If you’ve yet to make it…

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El Hércules de Zurbarán

Imagen

Hércules lucha contra la hidra de Lerna
Francisco de Zurbarán, 1634
Óleo sobre lienzo • Barroco
133 cm × 167 cm
Museo del Prado, Madrid,

 

El sacrificio de Abraham

Imagen

Artist
Rembrandt (1606–1669) Link back to Creator infobox template wikidata:Q5598 s:en:Author:Rembrandt
Title Sacrifice of Isaac
Date 1635
Medium oil on canvas
Dimensions Height: 193 cm (76 in). Width: 132 cm (52 in).
Current location
Hermitage Museum Link back to Institution infobox template wikidata:Q132783

Génesis 22:1-19

Y cuando llegaron al lugar que Dios le había dicho, edificó allí Abraham un altar, y compuso la leña, y ató a Isaac su hijo, y lo puso en el altar sobre la leña.

10 Y extendió Abraham su mano y tomó el cuchillo para degollar a su hijo.

11 Entonces el ángel de Jehová le dio voces desde el cielo, y dijo: Abraham, Abraham. Y él respondió: Heme aquí.

12 Y dijo: No extiendas tu mano sobre el muchacho, ni le hagas nada; porque ya conozco que temes a Dios, por cuanto no me rehusaste tu hijo, tu único.

Alegoría de Bronzino

Bronzino (detalle) "Alegoria" óleo sobre tabla, 19,5x126, también en la National

Bronzino (detalle) “Alegoria” óleo sobre tabla, 19,5×126, también en la National

Simon Spilsbury is Awful Good

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The Whitechapel Murders | Police Files

Iconic Photos

MaryJaneKelly_Ripper_100

It is unclear how many he really killed: as few as five, as many as eleven. His methods were brutal — throats were slashed; organs eviscerated. For almost three years between 1888 and 1891, he terrorized, fascinated, and repulsed the Victorian London and the world beyond, before fading out of history as abruptly as he had entered it. Many a prominent Victorian was accused of being him, but the Whitechapel Murderer was never actually caught, although the abrupt end of his reign of terror suggested that it was interrupted by his death, incarceration, institutionalization, or deportation.

Unlike all other acknowledged victims of Jack the Ripper, Mary Jane Kelly was killed inside, in her apartment at Miller Court. Her face was mutilated — again something not found in four other ‘official’ Ripper victims. For those reasons, whether Mary Jane Kelly was an actual victim of Jack the Ripper has always been…

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