Turkish arist Ardan Ozmenoglu has created a series of three-dimensional trees out of layers of painted glass. The purpose of the project was to provide a social commentary of transience versus permanence in human culture and to encourage people to look at things from multiple perspectives.
I slice a flat image down to its constituent parts, like the levels of a topographic map. The flat image, existing now on multiple slides of glass, is abstracted and becomes sculpture, captured within and between the glass as it interacts with its medium and becomes a different image depending on the position of the viewer. This is the creation of dimension, mood and meaning for the viewer.
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